Emissaries (Canta Libre Trilogy, #1)
Graham Storrs


First contact was a surprise when it came. A silly, childish message of peace and friendship from a place so far away only Earth’s newest prototype spaceship, the Canta Libre, could reach it – or so people thought.

The UN-led team that went out to represent humanity was mostly scientists and soldiers, led by General Ramirez, and carrying Ambassador Hartmann to the most momentous meeting in human history. But they were not alone. Other teams went too; one led by Petrov, a gang boss with dreams of technological riches and power beyond measure, the other crewing an ancient ark ship the rest of the world had long since forgotten, its mission changed by an unscrupulous government, its half-human captain, Ken Lee, bitter and heartbroken.

Some, like young Kitty Hamilton and drug designer Mike McBain, were dragged into the race for first contact against their will. Others, like Geoffrey Cejka and physicist Susan Iverson were eager participants. But none of them – not even the military robot – would complete the mission unscathed or unchanged. Some wouldn’t complete it at all.

Yet, though the struggle to answer the call of the enigmatic aliens would challenge the hapless travellers to the limits of their endurance, and the struggle to be the first to represent humanity would be vicious and deadly, for the survivors, the real struggle was still to come.

Emissaries (Canta Libre Trilogy, #1) book cover

Space opera is a different genre for Storrs, and I must admit, for all that the concept appealed, I wasn’t sure how it was going to work. Edge-of-your-seat thrillers, bewilderingly-engaging time hopping, all these flow from his fingers with unparalleled ease. But how this?

The first thing to impress me was the dedication. I also noted, early on, Storrs penchant for internationalisation (the CAT had a flavor similar to that of the Timesplash universe’s policing group).

Five Chapters in, and we’ve already got a large well of characters, of all conceivable orientations (both political and sexual). The story switches neatly between these groups and tells its story with many of the hallmarks of vintage space opera.

Whilst it’s not a genre I totally embrace, I can see the appeal. Though I firmly feel Storrs is on much more solid ground with his thrillers, I will still be eagerly picking up the next one when it comes out because I know his works are well put-together and there will be a larger story line to enjoy at the end of the trilogy.

Published by Sean Randall

I am an avid reader, technologist and disability advocate living in the middle of England with my wife, daughter and pets.

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